Category Archives: Geek stuff

iWeb officially sucks

My son Sam is an aspiring photographer and filmmaker (gee, what a surprise!) and he built a very nice website for himself in iWeb on his Mac. But when I tried to upload it to my web host (Westhost, whom I really like) and run it, it didn’t work. There was a generic “Error 500″ spit out from the server and nothing loaded. I tried with Westhost tech support, and they were unable to help me.

When I saved the website to my local hard drive and ran it, it worked fine.

So I put on my old debugging cap, and with the help of a 12 year old server I had running at a old client’s house (unreal it’s still cranking along!) I switched the server into debugging mode, and got a clue. And lo and behold, I discovered the problem in about 5 minutes.

iWeb puts the following line at the top of every HTML file:

<?xml version="1.0" encoding="UTF-8"?>

Evidently this horks the PHP parser on some Linux installations. Removing this one line from all of iWeb’s generated HTML files fixed our little problem, and Sam’s beautiful website is now live.

Check him out at http://sam.maller.com!

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“Shoot Like A Pro” Helpful Web Resources

Reviews and Info

DPReview: http://www.dpreview.com
The Luminous Landscape: http://www.luminous-landscape.com
Engadget: http://www.engadget.com
Gizmodo: http://www.gizmodo.com

Communities

DPReview: http://www.dpreview.com/forums
Fred Miranda: http://www.fredmiranda.com/forum/
Flickr: http://www.flickr.com

Camera Shopping

B & H Photo and Video: http://www.bhphotovideo.com/
Adorama: http://www.adorama.com/
Amazon.com: http://www.amazon.com/

Photo Geek Stuff

Megapixel overview chart: http://web.forret.com/tools/megapixel_chart.asp

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Workshop #1 is now full

I am so happy that my first-ever workshop, “Shoot Like A Pro” has sold out. I appreciate all the encouragement and the patronage. I am looking forward to shepherding my first 10 students through the digital photography landscape.

For any of you who didn’t get to sign up for this workshop, keep your eyes here and on my Facebook page for news updates. And if you have an idea for a future workshop, I’d be happy to hear your thoughts.

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Eleven Digital Camera Myths

by Steve Maller :: September 20, 2011
Because of what I do for a living, a lot of people (family, friends, total strangers) ask me for camera buying advice. The choices out there are truly overwhelming, and just when you think you might have a handle on it, an avalanche of new products, buzzwords and technologies buries you all over again. So I’d like to share a few thoughts on this subject in the hopes of providing some guidance.

This is the first in what might be a series of articles. For now it’s #1 in a series of one.

  1. You get what you pay for
    This is no more true in cameras than it is in anything. You have to be a well-informed consumer. Pay for what you need, but no more than that. And caveat emptor!
  2. I’m going to buy what Consumer Reports recommends
    With all due respect, I’ve not been impressed with their reviews of anything besides clothes dryers and coffee machines. There are excellent technology review sites that do a very thorough job of sorting through the buzzwords. The best is DPReview.com, but I also like others such as Cnet, Engadget, and Gizmodo.
  3. The bigger the better
    Modern technology has given us pint-sized powerhouses, and unless your priority is to impress your neighbors, ditch this assumption.
  4. Canon rules! Nikon rules!
    The two titans of the camera business dominate the professional end of the market, but for most of us, there are many more excellent choices, especially in compact cameras. Panasonic and Sony both make excellent small cameras.
  5. I need that holographic 3D ESP face detection mood ring wireless transmogrifier!
    Beware buzzwords and trendiness. Lots of the gizmos and magic tricks that some companies are building into their cameras are better done “in post”. Your computer is far more powerful than your camera, and you’re better off getting a clean, well-exposed picture in the camera, then monkeying around with it in your computer.
  6. More megapixels!
    The obsession with packing millions of pixels onto digital camera sensors has produced some impressive technology, but at the expense of some more important capabilities. For example, a 4”x6” print requires a 2 megapixel camera and even an 8”x10” print only requires 7 megapixels. And an emailable photo is generally about 1/2 a megapixel. Why pay for 15 megapixels when that’s more than twice the biggest print you’ll ever need?
  7. More zoom!
    Many things in life are about compromise, and this is a good example. You might feel like having a 10x or 15x zoom is a great idea, but that convenience comes at a price. You sacrifice overall sharpness and low-light capability when you have too much zoom. In a compact camera that’s especially deadly because you’re stuck with that lens. In a DSLR, don’t fall prey to believing that a $300 10x zoom is going to give you the same quality photo as a $300 3x zoom or even a non-zoom lens. For example, in the DSLR camp, Canon makes a $129 lens (their 50mm f1.8) which is a stunningly capable lens that can do some things that lenses costing ten times as much can do, at the expense of not being able to zoom.
  8. I like that green “auto-everything” mode
    Yes, it’s appealing to have the camera make all the decisions for you, but you should take the time to learn what you and your camera can do when you work together. “Creative control” is not just something that bossy Hollywood types negotiate into their contracts.
  9. Just use the flash
    Learn how to turn off the flash on your camera and make it use the “available light”. Your best photos are memories of what things really looked like, and you’ll be better off when you learn how to get your camera to do that. Unless you like your photos to have the ambiance of an interrogation. Some modern cameras have the magical capability to take photos in nearly complete darkness. Apropos #7 above, this capability is found in some specialty cameras with a large “maximum aperture”. Bottom line: an f2.0 lens is far better than an f4.0 lens. There, you learned something today.
  10. My hard drive (or memory card) will never crash
    As we say in the business, it’s not “if” your hard drive will crash, it’s “when”. Make backups. Learn about your options. Look around your house and see how many 20+ year old photos you have. Now look on your hard drive and see how many photos you want to be able to see in 20 years from now. Then make a plan. Because I will guarantee you that your hard drive, your camera and your computer will be long gone by then. And so will your photos if you’re not careful. There are very good backup systems such as Apple’s Time Machine (for your home) and Mozy.com (an online system) that are reasonably priced (or free).
  11. I need a better camera than my iPhone
    The camera in my iPhone 4, when properly used (braced solidly and in most lighting situations) has delivered absolutely stunning photos (and videos, too). Don’t expect too much, but learning how to get the most out of the gear you already have may be a better plan than spending lots of money on new gear.

copyright © 2011 Steve Maller :: all rights reserved :: re-posts are permitted so long as this notice remains

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Team Photos, With Style

I don’t make a habit (or a business!) of doing school and/or team photos for several reasons. The most significant is that there are a lot of companies out there who do this (some of them even do it well!), and I have no interest in competing with them. It’s a colossal organizational challenge, and those of you who know me…well, let’s just say I’m an artist. ;-)

But all that matters naught when my own child is participating. Then I pull out all the stops and do what I do, in a way I’d like to think is pretty unique. I love experimenting with lighting people, and this year, my son Sam’s high school basketball program asked me to repeat my (apparently) successful turn at shooting the team’s portraits.

The school’s color is red, so I wanted to emphasize that color in a stylized set of portraits. I am a fan of quite a few people who do this on a world-class level, yet many of their techniques require considerable amounts of pre- and post-production work, and that wasn’t going to work for upwards of 50 individual and team photos for the three boys’ basketball teams. Sam’s school gym was just remodeled, and when I walked in, I saw what looked (to my strange eye) like a large, red, reptilian wall. And there was born my inspiration. I quickly rigged up a “studio” in the gym (and by quickly I mean 30 minutes from loading in my gear to being ready to shoot). My setup was simple, in a way. Three lights (two with deep red gels and one softbox) and that’s it. I shot these with the Canon 1Ds Mark III and the Canon EF 24-70/2.8 L lens. I triggered one Alien Bees flash with a pair of Pocket Wizards, and that flash triggered the other two Alien Bees by virtue of their built-in optical slaves. Lastly, I imported the RAW CR2 files into Aperture 3.1, and applied quite a few adjustments to get the “look”. I was after. The timeline:

  • 8:00 AM: arrive at my studio and load out my gear
  • 9:00 AM: load-in to gym
  • 9:30 AM: “set” constructed and ready to shoot
  • 10:15 AM: commenced shooting
  • 11:30 AM: photos completed for Freshman, Frosh/Soph and Varsity teams
  • 11:45 AM: load out
  • 12:30 AM: gear stashed at my studio
  • (lunch and a little black friday shopping!)
  • 2:00 PM: downloaded photos into Aperture and begin edits
  • 3:00 PM: all edits complete (mostly batch operations)
  • 3:30 PM: completed low-res, watermarked photos all posted on Flickr and Facebook

Here’s what the setup looked like, followed by a few of the actual photos. The entire set are posted in a Flickr set if you’d care to look…

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